Sunday, January 30, 2022

Having been terribly remiss in blogging world, a post to catch up!

In 2021, film work found me going out on location for two projects. As per the usual protocol these days, non-disclosure paperwork has made it impossible to give any full reports, much less the juicy gossip which we generally cannot disclose regardless- (That is to say: if there really is any juicy gossip!)

Things in the industry I've noticed this year are that it seems to have become routine for productions to come up with ever-changing names for their projects. 

It can be tricky when vendors, rental houses, credit card companies and payroll houses no longer recognize what your project is because the name has changed repeatedly. 

It's a whole new world above and beyond the impact of Covid. There is a history of having a disguised name for a project to throw people off the scent, but in the past, they might choose one false name or call it an "Untitled" film, then come around to using the real title after filming is done. Now, I've had to admit to not knowing the current name of projects I'd recently worked on as I recall several versions of "the name of the week". 

Another thing is that with the impact of Covid, you'll notice now in movie and television credits that there are "Health and Safety" Supervisors, Managers and Coordinators.

In order to have the safest possible work environment, many productions have you do a health check in before reporting to work. Some will take your temperature before you enter the workplace. Those of us who may be on set and near the cast have Covid testing done 3x a week. We line up to have our noses swabbed either at a tent by the office, set or even drive through sites. The folks who swab our snouts gently are greatly appreciated!

The first job I was on in 2021 was shooting in Atlanta, to establish the North American end of a streaming television series that would shoot primarily in Colombia. It is now being called "Echo 3", though it was "Longboard" for a while with another moniker in between.

I worked with the wonderful, talented costume designer Katina LeKerr, whom I'd assisted on "Homeland Season 6". In addition to the north American gang, Katina hired a crew to work at the South American end from the trusted folks she'd had on Homeland Season 4, hailing from South Africa. The job gets far more complicated when dealing with different countries, languages, political issues and warnings about international travel to accomplishing the usual tasks. It was so helpful that Katina knew the right folks to call to handle the specific needs that were sure to come up on the South American location.

Should you find yourself in Atlanta, might I recommend a couple of dining choices? For folks who are not vegan or vegetarian, Fat Matt's has just about the best BBQ I've ever had. Having fallen in love with their food years ago, I was so delighted to find they were still up and running years later. Their website:

Another place I adored that had really delicious breakfast all day was: I wish we had one here in NYC, their food was so good!

The second job in 2021 also had a top secret protocol about letting anyone know what you were working on. We prepped in Los Angeles, then shot in Providence and Newport, RI. 

The funny thing about all the secrecy involved is that as we started shooting, every morning on the early morning local news, the anchors would mention that we were in town and going to be shooting. They would include the real, not fake name for the project and regularly told their listeners where we'd be shooting and showed footage of our sets, shot by a drone. 

My first glimpses of a couple of the sets were courtesy of the morning news! I think that since everyone in the greater Providence area and probably New England in general is aware that this was shot here, I might say the real name of the project was "Hocus Pocus 2". I will give nothing away but say that they've brought back the stars of the original along with some fresh young additional talent to boot! 

The costumes were designed by Mr. Salvador Pérez, the president of the Costume Designers Guild local 892. He's a fellow who knows what he's doing in terms of construction having built the costumes for "Titanic" as well as having a keen eye for design. It is a rare thing to find people who can combine the skill of designing something and knowing the yardage needed in a snap!

Providence has some of the most beautiful homes and buildings for those who like those things. It was a pleasure to drive though some of the tonier neighborhoods.

An event that they hold every year in Providence  is "Waterfire". It involves lighting torches up and down the river, music and art. It is an event that happens once the sun goes down. Should you be interested: here's a link where they will post their 2022 schedule:

Wishing all a healthy and happy 2022!

Cheers, Liz.

The first was the U.S. end of a television series

Friday, September 18, 2020

 The face mask making has continued during the Covid-19 days....

Your safest choice is an N95, followed by a surgical mask, but cloth masks with non-woven polypropylene layers built in or filters inserted make for a good "face covering". So: 

NASA in the house! Found some delightful prints by Riley Blake...

Trucker masks...

The Red Truck is nearly identical to the Sanford & Son truck!

Sputnik inspired...


Polka Dots...

A little Pomeranian friend of mine posed for mask wearing public service announcements...

Wishing all a happy, healthy fall as we transition into our next season and our new ways of life in these crazy times!

Thursday, June 18, 2020

The horror and depths of racism witnessed and hopes for a changed world...

It has always been clear there is racism in the world, however cloaked it may be. There have always been people capable of great evil and others who stand by and do nothing. There is no lack of evidence of this in history and in everyday life.

Seeing the murder of George Floyd by a police officer on video was a horror beyond my imagination. A snuff film in real life with an officer paid to protect the public feeling he had every right to kill a fellow citizen, seemingly not caring that he was being filmed doing it. It was so personal- nothing abstract about someone politely trying to keep from being killed and a brute in a uniform who didn't care a bit.

With the history of lynchings and murders in our country, this piece of documentation makes entirely clear what horrors have gone on that we haven't necessarily seen. Nothing in the world will bring Mr. Floyd back to the family and friends who loved him- it is an irreparable loss. There are countless other people of color who have been subject to the same fate, it continues on at a terrible pace.

We need to be aware of and call out not only the people who perpetrate these crimes and who feel the right to mistreat people who do not look like themselves but the cultures and practices that allow this to happen. The evidence is in. Pipe up if you see injustice and discrimination.

The worldwide protests show there are people who care in the world. Beyond doing unto others, we need for those who have consciences to vote, to keep paying attention and to work on getting practical things done to protect everyone equally. I'm hoping the next generations stay focused on this because generations past and present have clearly not done enough to keep the bad guys from continuing this behavior.

Our Governor in New York announced that he has signed new laws for Police officers to wear body cameras while on patrol and is creating the Law Enforcement Misconduct Investigative Office. No good cop has anything to fear. We need to have ways to hold people accountable for their actions and this is a start.

Hoping that with the global attention, we can change the world and people's lives for the better.

Here's to the good in people and having that win out...

Moving from 2019 to 2020 in the world of Film, Television and Pandemic...

In 2019, I reunited with Stephanie Maslansky, with whom I had worked years ago on MTV's first movie: "Joe's Apartment", a comedy featuring a young Jerry O'Connell and a bevy of large cockroaches ("Museum Bugs" who even had their own Roach wrangler), directed by John Payson.

Stephanie has since brought her terrific eye to a great many television series and movies. In 2019, I worked as her assistant designer on the first 9 episodes of "F.B.I." Season 2. Having done "Homeland" Season 6, I've got both the F.B.I and C.I.A. covered in the world of costumes, uniforms and raid jackets!

Later in the year (and into early 2020), I worked briefly with the wonderful Renee Ehrlich Kalfus, on "Godmothered", a film that had a crack Boston crew of artisans working at the costume/wardrobe end. It is a treat in a business where there are plenty of people with spunk but not necessarily a lot of training to encounter people who've spent decades doing theatre, ballet, fine construction and dyeing. We would marvel daily at the speed and quality of their beautiful work.

Moving along in 2020, when the global Pandemic struck, I felt oddly equipped for it, having spent so much time on "I Am Legend" in a post-apocalyptic world. It was strangely familiar. In this reality, however, it is like being in a bad movie that won't end, but we go on.

Plenty of friends and folks in the costume field pulled out their sewing machines and turned out great looking face masks early on.

I had concerns that if the masks didn't have adequate filtration that the wearers would get a false sense of security. I started out making "Shop Towel" masks- stapled together accordions with rubber bands for ear loops for family and friends. People who had researched and tested various materials found this material to be about the best choice available if you could not get the materials the N-95 masks are made of.

Afterwards, I set forth on a mission to make masks striking a balance between looks, safety, comfort and breathability. Given the Pandemic situation, items ordered online took a long time to land- it took nearly a month before my first fabric order arrived, so I started out with a handful of fabric bits on hand and sacrificial pillowcases.

Having gone through 20 odd prototypes, I finally settled upon a recalibrated version of a pattern found online- a "3-D" mask. I was able to deliver masks to my hard working Doctor at Weill-Cornell/NY Presbyterian and her team. Their hospital and staff have been through hell and it felt good to be able to bring a bright spot into their day.

Below are pictures of some masks made during my sheltering in place. More to come.
Wishing everyone good health, healing, patience and love in this crazy time.

Monday, November 11, 2019

Musings on film & television production... plus gratitude and good manners!

I recently chatted with industry friends who have been in the business for years and we compared notes on film and television production and how things have changed during the course of our careers.

The business, particularly in television and streaming content has grown exponentially here in NYC. It's a great thing. As in most fields, advances in technology have had a major effect on production. A far larger community of local film crews have grown.

In my father's time doing films and television in NY (and when my friends and I were starting out), you knew pretty much everyone on your crew and that of whatever other shows were shooting in town. Now, we find there are always new folks, new names to learn. A mixed bag of terrific additions and some who are rather green who lack the skill sets that were once baseline standards. The technology helps, but is not a replacement for smarts and ability, alas!

While almost everyone who designs or wardrobe supervises has used programs to do our breakdowns of scenes, changes, etc. for years, there are programs that have become standard and all info that is input onset can be accessible to those who are invited in to a particular production.

With the likes of Sync on Set, your crew can upload a photo and information on set which you can plug into from wherever you are. Their website:
It is one great way to bring new crew members up to speed on the look of a character and of your particular show.

We all rely on cell phones, iPads, Google and other search engines to get addresses, phone numbers, check on files stored in "the cloud". It is no longer necessary to haul note books around while hunting and gathering for costumes, props, etc... With shops going out of business on a daily basis in NYC, it's good to know if the shop you are headed to still exists.

At the production end, over the years, as information could be distributed later and later, it has had the unfortunate side effect of very last minute decision making becoming a matter of course.

At the costume end, previous to all the great technological innovations, you would make a shopping list with pretty much all your sizes and casting compiled before you left the studio in the morning. Casting was done enough ahead of time so that you could really nail a look without fear of being late for a fitting- you had some time to assemble the best choices for both the character and the available budget.

Nowadays, we all find ourselves looking for a decent hot spot to check e-mails or ever changing size charts online to see if casting has happened, what the actor looks like, what size he/she is. A big chunk of time is spent checking on information where the actual work at hand stops as you look for updates. It is a mixed bad of dealing with the pros and cons of an ever changing technology and its effects.

While sorting through old family file boxes at my studio yesterday, I came across a letter my father had received from Aaron Russo, who produced a Brian De Palma film dad was the scenic artist on.

It is an item I will treasure which shows the absolute class and personal touch that existed in the film industry and particularly of Mr. Russo. Although not every producer may have hand signed a thank you note and mailed it to a crew member, this stands as a testament to the fact that the good guys and gals exist. Sadly, Aaron Russo died far too young, but I am so glad to find this lovely note in these days where basic good manners sometimes go out the window.

Tuesday, November 5, 2019

2019: Life in Budapest on "Harry Haft"

From early January to the first part of May, I was on an adventure, working with my old friend- the wonderful artist and designer, Marina Draghici, on a Barry Levinson film called "Harry Haft" in Budapest, Hungary.

Sometimes the universe becomes incredibly small and there are coincidences that are extraordinary.

Marina and I were chatting on the phone in December of 2018 and she told me the basic storyline of this film she was going off to do. It is the life story of the real Harry Haft, a fellow who survived the Nazi prison/death camps by boxing other prisoners for the entertainment of the guards and higher ups. Harry was literally fighting for his life and that of his brother, also a prisoner. Not to give too much away, the story continues to portions of his life as the years go by and his fighting career continues while he tries to find a girl he adored in his younger years.

Hearing the story, I remarked that this era and the subject matter made me think of a fellow my father knew and had done a portrait of, Charley Goldman. I explained that Charley had been famous for being the boxing coach of Rocky Marciano and that a portrait dad did of Charley hung in my family's studio as a guardian angel of sorts for years. I had a postcard Charley sent dad thanking him for photos he'd sent. I even found while scanning a box full of old, undeveloped negatives of dad's a handful of shots he'd taken of Charley, as he chatted and coached at his gym.

Marina sounded nonplussed for a minute. It seems that Charley and Rocky were to be characters in the movie! Charley ended up being played by Danny DeVito. When Marina asked if I'd like to go to Budapest to work on the film, it seemed fated that I should go, since my old guardian angel was to be featured in it. Of course, there was also the thought of tasting Chicken Paprikash prepared in Hungary, where it originated!

While I cannot post pictures related to the film, I was utterly taken with the beauty of the architecture in Budapest. There was great food to be had (if you had free time!), I met lovely people on our crew which included not only Hungarians but folks from England and Scotland. Side trips to rental houses in other countries had to happen, so our gang scattered hither and yon to find costumes. This was not like going to L.A. and hitting a handful of rental houses to get what you need!

The IMDB link for Harry Haft:

Some pictures from this adventure:

Flying in: Lot Airlines Business Class was a pleasure. Great food and legroom!

My first glimpse of our future neighborhood. One lovely old building after another...

The "New York Residences". We lived around the block in their corporate apartments.
Perfect for a New Yorker!

A gorgeous hotel across the street...

A little snow in our first week there...

Our baseline crew, who were kind enough to come to say hello before the job started for them.

A trip to one of the many scenic outlooks, lots of selfies and group shots with the Danube in the background...

Another day at the office!

Erzsebet is the Hungarian version of Elizabeth, it was pretty funny that I was an Elizabeth staying in the Erzsebet neighborhood, near Erzsebet street, staying in the "New York Residences" a.k.a. the Boscolo.

Hook up for an electric car...

Driving into Budapest. One great building after another...

Minouschka making friends with the doorman from the Boscolo.

Restaurants and food.
Kehli Vendeglo: A traditional restaurant that has been around since 1899:

A restaurant with the most delicious, traditional Hungarian fare.
They will cook for vegetarians, but being repeatedly unsuccessful at maintaining that way of eating myself, I got to enjoy their Marrow Bone with toast and garlic spread on it along with a "hot pot" of soup. One of the most delicious things I've ever eaten...

There is decor up front which celebrates a novelist, photos to follow. Seems I'm not alone in my love of their Marrow Bone with toast!: 

The soup...

 Toast smeared with garlic and marrow...

A friend's dish (fish?)

On their menu, there is something fun for those of us who grew up watching "Dracula" movies: They serve Transylvanian Steak.

One of the great things in Hungary is their lemonade. Most restaurants have some version which is chock full of fruit: seasoned, sometimes there may be a base with a little seltzer in it. 

We dined in an area that formerly was an outdoor passageway between their two buildings. Great light, great cobblestone floors.

Their entryway decor... 

The New York Cafe. 
Sure, this may be a tourist trap, but the food was great, and talk about architectural detail...

 A dessert I got hooked on: Somloi Galuska. Spongecake, pastry cream, chocolate sauce, etc...
Not slimming but available at the local grocer's freezer!

 Across the street from where we lived: a restaurant/pub called "Piszkos Fred". It is filled with delightful, funny murals based on that character, written by Jeno Rejto. Rejto sadly met a tragic end, but his character lives on in this restaurant with its murals. There is also a mannequin of Fred, belly up to the bar. A favorite spot!

About Jeno Rejto:

Piszkos Fred belly up to the bar...

One evening, a friend from work and I inadvertently wore shirts to match up with Piszkos Fred. Photo op ensued...